Passion in Pinstripes: the Synyster Gates Custom-S. 1955 Magnatone G-65 lap steel, designed by Paul Bi. Just what is that strange Red Dead Redemption guitar?. Vintage & Rare guitar of the week: 1962 Gretsch Bi. Erlewine Lazer headless travel guitar and a ghost. 1963 Fender Jaguar refinished in silver sparkle. Sanox Sound Creator through-neck Alembic-style guitar. Johnson metal body LP-style prototype - one of onl. Wotan - Japanese neck-through guitar, possibly lat. Vintage & Rare guitar of the week: Wandre Selene f. Red Rubber Ball - The Cyrkle (featuring a Gretsch. Ultima Firebird - the only guitar in the world wit. Kramer Ferrnington RT-3 Richard Thompson signature. Yngwie Malmsteen Fender Japan Custom Shop Doublene. Guyatone LG-20 - 1960s Japanese-made Tele hybridiz. Book review: Guitar Zero by Gary Marcus. Norman Watt-Roy's pre-CBS 1962 Fender Jazz Bass is. 1950s/60s East German Musima Record archtop guitar. The curse of the carved guitar: hideous Mockingbir. Klira Jazzmaster-like in bright orange finish. Grass Roots bass mixes Gibson Thunderbird with Ric. Vintage & Rare guitar of the week: Roy Rogers and. Fernandes JG-series Made In Japan Jazzmaster-esque. © 2012, Guitarz - The Original Guitar Blog - now in its 10th year! This guitar is currently being auctioned on eBay with just over a day left before the finish of the auction and with bidding currently at $406 at the time of writing. It's interesting to see the Ferrington name on the guitar's headstock later models had the Kramer logo instead. The "mandolin point" on the upper rear bout is also a very nice design touch. I particularly like the ovoid fretboard position markers which echo the the soundhole and offset waist. It has an offset-waist and a double cutaway design yet it still conveys visually that it is resolutely an acoustic guitar, and not an acoustic guitar masquerading as an electric. I can't say that I've ever been a fan of "electric-shaped" acoustics, but this Richard Thompson guitar is a glorious design. Suddenly Strat and Tele-shaped electro-acoustics became very popular for me personally, some of those models looked a little tacky and were no doubt the reason that Fender jumped on the "electric-shaped acoustic" bandwagon issuing the (to my mind very cheap and nasty looking) Stratacoustic and Telecoustic models. In 1985, Ferrington began working with Kramer who produced his designs mainly in Korea for the mass market. Obviously Ferrington wasn't the first to make an acoustic guitar with a cutaway, but his designs were exciting and had outlines that you would have expected to be the sole reserve of the electric guitar. He was one of the first guys to seriously challenge the strict design templates in the Gibson and Martin mould for acoustic guitar that seemed to be adhered to by almost every guitar manufacturer. Moving swiftly on, the above-pictured guitar is a Kramer-made Ferrington RT-3, a signature acoustic guitar for the No.1 English fingerstyle and folk/rock guitarist Richard Thompson.īy the mid-1980s Nashville-based luthier Danny Ferrington had been building one-off guitars for himself and various celebrities. Apologies for the lack of a Guitarz post yesterday I was simply too busy to get to use the computer (these days I'm trying to get out and about a little more and actually play the guitar rather than just writing about it).
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